{"id":23,"date":"2019-12-16T22:00:29","date_gmt":"2019-12-16T21:00:29","guid":{"rendered":"http:\/\/127.0.0.1\/?page_id=23"},"modified":"2025-03-23T13:00:45","modified_gmt":"2025-03-23T12:00:45","slug":"bibliographie","status":"publish","type":"page","link":"https:\/\/colette-brunschwig.com\/?page_id=23","title":{"rendered":"Bibliographie"},"content":{"rendered":"\n

TEXTES DE COLETTE BRUNSCHWIG<\/strong> <\/p>\n\n\n\n

1990<\/strong><\/td>Jean Grenier : Regard sur la Peinture 1944-1971,Mus\u00e9e de Morlaix\u00a0\u00bb<\/td><\/tr>
2001<\/strong><\/td>Caillou Blanc pour Paul Celan-ed. L\u00e9o Scheer,Paris<\/td><\/tr>
2002<\/strong><\/td>Trois Textes (1960,1970,2002),ed. Action Culturelle de l’Universit\u00e9 de Poitiers<\/td><\/tr>
2003<\/strong><\/td>Texte sur Jean Grenier, Revue Ar\u00e9a, Paris<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

LIVRES SUR COLETTE BRUNSCHWIG<\/strong> <\/p>\n\n\n\n

1972<\/strong><\/td>Rep\u00e8res,la peinture en France: d\u00e9but et fin d’un syst\u00e8me visuel,Dora Vallier<\/td><\/tr>
2003<\/strong><\/td> Colette Brunschwig et autres r\u00e9sonances autour de l’oeuvre po\u00e9tique de Paul Celan, ed.Nijmegen University Press,Pays-Bas <\/td><\/tr>
2021<\/strong><\/td>Monographie – Colette Brunschwig \u00ab\u00a0Peindre l’ultime espace \/ Painting the ultimate space\u00a0\u00bb Manuella \u00e9dition. – Francais, Anglais<\/td><\/tr>
2024<\/strong><\/td>Monographie – Colette Brunschwig \u00ab\u00a0Peindre l’ultime espace \/ Painting the ultimate space\u00a0\u00bb Galerie Jocelyn Wolff. – Chinois<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

LIVRES ILLUSTRES PAR COLETTE BRUNSCHWIG<\/strong> <\/p>\n\n\n\n

2003<\/strong><\/td>The Vixen,po\u00e9sie, W.S. Merwin, Editions Fanlac<\/td><\/tr>
2004<\/strong><\/td>Volute de Chutes,po\u00e9sie,Hisachi Okuyama, Editions Trame<\/td><\/tr>
 <\/td>D’eau de Terre de Parole,po\u00e9sie, Xavier Ravier, Editions La Malle d’Aurore<\/td><\/tr>
2011<\/strong><\/td>Le Coucou, Marcel Cohen\/Colette Brunschwig, \u00e9ditions Le Coucou<\/td><\/tr>
2016<\/strong><\/td>Tours D\u00e9tours Retours, Colette Brunschwig, \u00e9ditions Le Coucou<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

CATALOGUES D’EXPOSITIONS<\/strong> <\/p>\n\n\n\n

1979<\/strong><\/td>Galerie Nane Stern \u00ab\u00a0Chez Nane Stern\u00a0\u00bb<\/td><\/tr>
1981<\/strong><\/td>Galerie Nane Stern,texte de Dora Vallier<\/td><\/tr>
 <\/td>Galerie Jacquester \u00ab\u00a0Colette Brunschwig-Lavis\u00a0\u00bb<\/td><\/tr>
1988<\/strong><\/td>Galerie Cluny Cr\u00e9ation Contemporaine<\/td><\/tr>
1989<\/strong><\/td>Centre d’art contemporain de Jouy-sur-Eure\/Galerie Clivages<\/td><\/tr>
 <\/td>Galerie Fontainas\/Galerie et Editions Clivages & Le Th\u00e9atre Po\u00e8me (exposition collective)<\/td><\/tr>
1990<\/strong><\/td>\u00ab\u00a050 peintres contemporains- 150\u00b0 anniversaire de la naissance de Claude Monnet\u00a0\u00bb,Centre d’Art d’Argenteuil<\/td><\/tr>
1991<\/strong><\/td>Collections contemporaines de la B.N.P., Ecole des Beaux-Arts,Paris<\/td><\/tr>
 <\/td>\u00ab\u00a0Regard Multiple\u00a0\u00bb Acquisitions de la soci\u00e9t\u00e9 des Amis du Mus\u00e9e National d’Art Moderne,Centre Georges Pompidou,Paris<\/td><\/tr>
1994<\/strong><\/td>Galerie Clivages,texte de Daniel Dobbels<\/td><\/tr>
1996<\/strong><\/td>\u00ab\u00a0Le temps, l’ oeuvre et l’ instant\u00a0\u00bb,Michel Dieuzaide, Galerie d’exposition du Th\u00e9\u00e2tre de Saint-Quentin-en-Yvelines<\/td><\/tr>
 <\/td>Galerie Clivages,texte d’Anne de Sta\u00ebl<\/td><\/tr>
1998<\/strong><\/td>Galerie Bernard Bouche,texte de Pierre Wat<\/td><\/tr>
1999<\/strong><\/td>\u00ab\u00a0Peintres en partage\u00a0\u00bb exposition \u00e0 l’espace des Blancs-Manteaux\/Paris,texte de Pierre Wat<\/td><\/tr>
2014<\/strong><\/td>Catalogue Galerie Convergences, texte de Robert Levy<\/td><\/tr>
2015<\/strong><\/td>Colette Brunschwig, texte de Olivier Amiel<\/td><\/tr>
2019<\/strong><\/td>Catalogue de l\u2019exposition Femmes ann\u00e9es 50. Au fil de l’abstraction, peinture, et sculpture au Mus\u00e9e Soulages de Rodez. <\/td><\/tr>
2020<\/strong><\/td>Colette Brunschwig, Raymonde Godin, Liliane Klapisch, texte de Beno\u00eet Decron et Robert Levy<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

ARTICLES DE PRESSE<\/strong> <\/p>\n\n\n\n

1952<\/strong><\/td>Articles divers (Combat,Actualit\u00e9s Artistiques,Lettres Fran\u00e7aises) exposition galerie Colette Allendy 1952<\/td><\/tr>
1955<\/strong><\/td>Articles divers (Arts ,Combat,,Cimaise, Information J.) exposition galerie Colette Allendy 1955<\/td><\/tr>
 <\/td>D’eau de Terre de Parole,po\u00e9sie, Xavier Ravier, Editions La Malle d’Aurore<\/td><\/tr>
1958<\/strong><\/td>Articles divers (Arts,Cimaise, Information J.,New York Herald Tribune du 25\/06\/1958) exposition galerie Colette Allendy 1958<\/td><\/tr>
 <\/td>Combat du 23\/06\/2008 ( exposition galerie Colette Allendy 1958)<\/td><\/tr>
1960<\/strong><\/td>Art News and Review,Barbara Wright (juillet 1960)<\/td><\/tr>
1962<\/strong><\/td>Jerusalem Post (M.R.)<\/td><\/tr>
1971<\/strong><\/td>New York Herald Tribune, Michael Gibson (Avril 1971)<\/td><\/tr>
 <\/td>Le Monde, G. Breerette (1971)<\/td><\/tr>
 <\/td>Lettres Fran\u00e7aises, H. Galy-Carles (24-30 mars 1971)<\/td><\/tr>
1974<\/strong><\/td>Le Tout Lyon des 9-15\/08\/1974 (Ren\u00e9 Deroudille)<\/td><\/tr>
 <\/td>Derni\u00e8re heure Lyonnaise du 18\/08\/1974 (Ren\u00e9 Deroudille)<\/td><\/tr>
1976<\/strong><\/td>Information Juive\/F\u00e9vrier 1976 (Arnold Mandel)<\/td><\/tr>
 <\/td>L’Humanit\u00e9\/Janvier 1976 (Lucien Curzi)<\/td><\/tr>
 <\/td>ART P.T.T. 01-04\/76 (Henry Raynal)<\/td><\/tr>
 <\/td>Le Figaro des 17-18\/01\/1976 (J-M Tasset)<\/td><\/tr>
 <\/td>Le Monde des 24-01\/1976 (J-M Dunoyer)<\/td><\/tr>
1979<\/strong><\/td>Le Figaro du 26\/05\/1979 (Janine Warnod)<\/td><\/tr>
 <\/td>Le Figaro du 3\/10\/1979 (J-M Tasset)<\/td><\/tr>
 <\/td>Le Figaro du 13\/12\/1979 (J-M Tasset)<\/td><\/tr>
 <\/td>Le Monde du 23\/09\/1979 (J-M Dunoyer)<\/td><\/tr>
 <\/td>L’oeil (septembre 1979)<\/td><\/tr>
1981<\/strong><\/td>Le Figaro du 10\/04\/1981 ((J-M Tasset)<\/td><\/tr>
 <\/td>Le Monde des 13\/04\/1981 (J-M Dunoyer)<\/td><\/tr>
1982<\/strong><\/td>Le Monde des 27-28\/06\/1982 (J-M Dunoyer)<\/td><\/tr>
1983<\/strong><\/td>Opus International n\u00b0 88 d’avril 1983 (Murielle Gagnebain) <\/td><\/tr>
 <\/td>Le Parisien du 30\/06\/1983<\/td><\/tr>
1985<\/strong><\/td>ART P.T.T. N\u00b01-1985(Henry Raynal)<\/td><\/tr>
 <\/td>International Herald Tribune 1985 (Micha\u00ebl Gibson)<\/td><\/tr>
 <\/td>Le Figaro (Janine Warnod)<\/td><\/tr>
 <\/td>Art Press-Janvier 1985 (Monique Daubigne)<\/td><\/tr>
 <\/td>L’oeil-Mai 1985 (Pierre Brisset)<\/td><\/tr>
1987<\/strong><\/td>Lib\u00e9ration du 20\/05\/1987 (Daniel Dobbels)<\/td><\/tr>
1989<\/strong><\/td>Charente Libre du 23\/03\/1989 (Sylviane Carin)<\/td><\/tr>
 <\/td>Lib\u00e9ration du 01\/04\/1989 (Daniel Dobbels)<\/td><\/tr>
 <\/td>L’oeil, M. Ernould-Gandouet (Octobre 1989)<\/td><\/tr>
1991<\/strong><\/td>L’oeil, M. Ernould-Gandouet (1991)<\/td><\/tr>
 <\/td>Lib\u00e9ration du 03\/10\/1991 (Daniel Dobbels)<\/td><\/tr>
 <\/td>Luxemburger Wort du 12\/10\/1991 (Joseph-Paul Schneider)<\/td><\/tr>
 <\/td>La gazette Drouot du 18\/10\/1991<\/td><\/tr>
 <\/td>d’Letzeburger Land n\u00b043 du 25\/10\/1991 (Lucien Kayser)<\/td><\/tr>
 <\/td>Journal Luxembourgeois du 26-27\/10\/1991 (E. Verma)<\/td><\/tr>
 <\/td>Tageblatt du 26\/10\/1991<\/td><\/tr>
 <\/td>Cimaise n\u00b0214-Sept-Oct 1991 (Patrick-Gilles Persin, Michel Ragon)<\/td><\/tr>
1994<\/strong><\/td>Flash Revue,18\/05\/1994 (Hisachi Okuyama)<\/td><\/tr>
1995<\/strong><\/td>Journal Culture n\u00b0 38-Mai 1995-Minist\u00e8re de la Culture et de la Communication (M. Tayeb)<\/td><\/tr>
1996<\/strong><\/td>La Gazette Drouot n\u00b035 4\/10\/1996 (Marc Herisse)<\/td><\/tr>
 <\/td>Le Journal des Expositions n\u00b0 39\/Octobre 1996 (Karim Ghaddab)<\/td><\/tr>
1997<\/strong><\/td>l’Humanit\u00e9 du 13\/01\/1997 (Dominique Widemann)<\/td><\/tr>
 <\/td>Verso Arts et Lettres n\u00b05 Janvier 1997 (Claudine Grammont de Roquefeuil)<\/td><\/tr>
1998<\/strong><\/td>Article T\u00e9l\u00e9rama n\u00b02545 du 21\/10\/98 (Olivier Cena)<\/td><\/tr>
 <\/td>Articles revue Rehauts consacr\u00e9e \u00e0 Colette Brunschwig (printemps-\u00e9t\u00e9 1998)<\/td><\/tr>
1999<\/strong><\/td>Article La Gazette des Arts n\u00b021 21\/05\/99 (L.H.)<\/td><\/tr>
 <\/td>Article La Gazette des Arts 1999 (M. Fernandez)<\/td><\/tr>
 <\/td>Article Pariscope Mai 1999 (A.G.)<\/td><\/tr>
2003<\/strong><\/td>La Gazette Drouot n\u00b024 du 20\/06\/2003 (Lydia Harambourg)<\/td><\/tr>
2007<\/strong><\/td>The Registrar-Guard (Eugene-Oregon) du 26\/04\/2007 \u00ab\u00a0One artist, two exhibits\u00a0\u00bb (Bob Keefer)<\/td><\/tr>
 <\/td>Oregon Daily Emerald (Oregon-USA) du 01\/05\/2007 (S. Szatmary)<\/td><\/tr>
 <\/td>Oregon Daily Emerald (Oregon-USA) du 15\/05\/2007 \u00ab\u00a0Stop and smell the Art\u00a0\u00bb(T. Mc Bride)<\/td><\/tr>
2008<\/strong><\/td>La Gazette Drouot n\u00b010 du 14\/03\/2008 (Lydia Harambourg) <\/td><\/tr>
2014<\/strong><\/td>La Gazette Drouot du 7 \/02 \/2014 (Lydia Harambourg) <\/td><\/tr>
 <\/td>Pariscope n\u00b0 2387 19-25\/02\/201<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

CONFERENCES<\/strong><\/p>\n\n\n\n

2006<\/strong><\/td>\u00ab\u00a0The Influence of Mi Fu and Chinese Aesthetics on Colette Brunschwig’s Art\u00a0\u00bbSteven Shankman- <\/td><\/tr>
 <\/td>Selected Papers from the 2nd World Forum on China Studies (Panel 4) \/ Shanghai Academy of Social Sciences<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

TEXTES DE COLETTE BRUNSCHWIG 1990 Jean Grenier : Regard sur la Peinture 1944-1971,Mus\u00e9e de Morlaix\u00a0\u00bb 2001 Caillou Blanc pour Paul Celan-ed. L\u00e9o Scheer,Paris 2002 Trois Textes (1960,1970,2002),ed. Action Culturelle de l’Universit\u00e9 de Poitiers 2003 Texte sur Jean Grenier, Revue Ar\u00e9a, … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"showcase.php","meta":{"footnotes":""},"class_list":["post-23","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/colette-brunschwig.com\/index.php?rest_route=\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colette-brunschwig.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/colette-brunschwig.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/colette-brunschwig.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/colette-brunschwig.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23"}],"version-history":[{"count":5,"href":"https:\/\/colette-brunschwig.com\/index.php?rest_route=\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":138,"href":"https:\/\/colette-brunschwig.com\/index.php?rest_route=\/wp\/v2\/pages\/23\/revisions\/138"}],"wp:attachment":[{"href":"https:\/\/colette-brunschwig.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}